You can still individually alter each clip to taste in Vegas Pro. You can then plug-in that LUT you made in Sony Vegas Pro and apply it to all your clips. And here is the best part - you can export the color corrections you made along with the Sony REC709 LUT as your own LUT - customized to your camera. You can do some correcting (WB, etc.) in there (say for one of your clips). The LUT is based on your actual camera (Sony knows!). It applies a Sony LUT to get them to REC709 so you can view them in normal color/contrast. That program ingests your Slog 2/Sgamut clips. An even better alternative is to use the free Sony Catalyst Browse. Once you "plug in" the LUT you can then grade to achieve the look you want in Vegas (color wheels, white balance, etc.).Ģ. They are based on the Slog 2 in the Sony A7s. The best options to do that I have found are:ġ. You need a LUT to start, one that accurately converts to REC709 color. Just to be clear, that plug-in allows one to use anyone's LUT. I edit in Sony Vegas Pro and I use the Vison Color LUT plug-in. I have plenty of experience with Slog 2 from the Sony RX100 IV. and how are PP5 and PP6? are they easier to grade? I mainly edit and grade in sony vegas 13, yet my use of luts is limited using the impulze luts plug in which has almost no control over the lut, personally i cant even reduce the film grain in it since the plug in only applies the color grade. I saw that film convert has these extra functions that can enhance the grading process. Personally i want to get much out of the picture profile and have no idea what to do next. So i have started shooting in slog2 and i feel that to start grading you have to apply a curve to bring back colors and contrast and then apply saturation etc, the thing is that my videos get these normal colors or sometimes the color bleeds.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |